With Nature & Politics, Thomas Struth told BJP back in 2017, he hopes to “open doors to what our minds have materialised and transformed into sculpture, and to scrutinise what our contemporary world creates in places which are not accessible to most people”. Shot at industrial sites and scientific research centres throughout the world over the last 10 years, the large-scale colour images show the strange contraptions created at the cutting-edge of technology.
But these images also, he told BJP, say something about his own relationship to the world, and the place in which he finds himself at this particular point in time. “I am an observer and participant in contemporary culture, and what matters to me is that I can only being something new depending on my situation in my own life,” he said. “When I was at school, 1984 seemed like a futuristic date. To have reached the age of 62 feels incredibly strange and choking, and to acknowledge the reality that I have perhaps 20 or 25 years left. There are complex evaluations that play a role in what I am attracted to, and I try to find the pictorial equivalent.”
Simon Bainbridge, editorial director of the British Journal of Photography, picks out the projects that most caught his eye in 2018 – including The Anarchist Citizenship, a collaboration between Nadine Stijns, Amal Alhaag and Mustafa Saeed
White Cube was first opened in 1993 by Jay Jopling, in a small, square room in London’s West End. It now has an exhibition programme extending across three gallery spaces; Bermondsey in South London, Mason’s Yard in St. James’s London, and Hong Kong’s Central District. Since 1993, White Cube has exhibited the work of many of the world’s most highly acclaimed contemporary artists. At Photo London, White Cube will present a solo exhibition by the British artist Darren Almond in the Studio Room Gallery. Almond’s diverse practice incorporates film, installation, sculpture, painting and photography, producing evocative meditations on time and duration, alongside themes of personal and historical memory. We caught up with the director of White Cube, Julia Baumhoff Zouk, to find out more about Darren Almond, and to hear her tips on developing a personal photography collection. What excites you most about exhibiting your artists at Photo London? Photo London is the only photography fair we have in the UK, and since its first edition in 2015, it has become more and more important. …
London’s Hayward Gallery is reopening with a huge Andreas Gursky retrospective on 25 January, celebrating its 50th anniversary and its return after a comprehensive two-year refurbishment. The first major retrospective of the acclaimed German photographer in the UK, Andreas Gursky will include around 60 of images from the 1980s to the present day. Focusing on man-made structures and large gatherings of people. Gursky’s images draw attention to our changing relationship with the natural world, and chronicle the effects of globalisation on daily life; his subjects range from a crowded techno music festival in Germany (May Day IV, 2000/2014), to an underground water tank in the Kamioka Nucleon Decay Experiment in Japan (Kamiokande, 2007), in which a boat glides amid a gold-studded interior. “I only pursue one goal,” he has said, “the encyclopedia of life”.