British Journal of Photography announces the photographers shortlisted for Meet California, an exclusive commission for which four competition winners will create a body of work responding to vast American state
“The works selected here have all run up against a more or less bitter-sweet reality, and their authors have liberally arranged, glued, assembled, masked and cut out the components of that reality in order to present it to us as something different, eminently subjective, and decidedly moving,” writes Raphaëlle Stopin, artistic advisor for the 2018 Prix HSBC. She’s writing of the 12 photographers shortlisted for two top prizes, which this year have gone Antoine Bruy (France, 1986) and Petros Efstathiadis (Greece, 1980). The other shortlisted photographers are: Olivia Gay (France, 1973), with the series Envisagées; Karin Crona (Sweden 1968), De la possibilité d’une image; Elsa Leydier (France, 1988), Platanos con platino; Sandra Mehl (France, 1980), Ilona et Maddelena; Shinji Nagabe (Brazil, 1975), Espinha; Michele Palazzi (Italy 1984), Finisterrae; Walker Pickering (USA, 1980), Esprit de corps; Marie Quéau (France, 1985), Odds and ends; Brea Souders (USA, 1978), Film electric; and Vladimir Vasilev (Bulgaria, 1977), T(h)races.
Fake news and ethical quandaries are hot topics right now – so BJP has responded with its take on the topic, and an issue focussing on documentary storytelling and differing imperatives on objectivity featuring Max Pinckers, Daniel Berehulak, Munem Wasif, and Thomas Struth, among others
Now in its 10th year, the Prix Levallois is one of the leading prizes for young photographers, and its latest list of 15 nominees includes Antoine Bruy, Bieke Depoorter, Michal Luczak, Leslie Moquin, Alexey Shlyk, and Maria Sturm & Cemre Yesil
“The White Man’s Hole is a work about the town of Coober Pedy, in the South of Australia, and is the second chapter of an ongoing project called Outback Mythologies, about the Australian Outback and its importance for the Australian identity.” So Antoine Bruy describes his latest work, which won the Next Photographer Award at the D&AD Festival 2017, run in partnership with Getty Images. “Choosing a winner was difficult, but Antoine Bruy showed a level of originality and technical expertise that raised the bar for the competition,” commented Andy Saunders, one of the judges and senior vice president of creative content at Getty Images. Coober Pedy is a sun-drenched town in South Australia, better known as “the opal capital of the world”. The precious mineral was first found there in 1915 and extracting it remains the major source of income for the locals – who, to protect themselves from the extreme heat of their location, live mostly underground. Bruy went Coober Pedy after spending a year in Australia, and says he was “astonished by the surreal landscapes” the first time he went, adding “it …