At first glance, the suburban district of Southall, West London seems the epitome of harmony. Home to 70,000 people, nearly half of whom were born outside the UK, it boasts Sikh Gurdwaras, Christian churches, Islamic Mosques, and Hindu temples. The dominant population is Asian, earning the area the nickname Little India and bilingual English/Punjabi signage. But for Manny Melotra, who was born in the area and still lives there, that apparent harmony is an illusion. “If you’re a resident, you know a completely different Southall,” he says.
Luke Richard’s project Under Black Sun reflects on the rise of far-right politics in contemporary Italy through the concept of the New Man – a form of idealised masculinity created by Mussolini during his reign as dictator, and propagated through various forms of meticulously controlled media. Appropriating the virile symbolism and values of Ancient Rome, the New Man model drew on Rome’s imperial history to whip up support for the New Italy that was to be delivered under a Fascist government – a pattern Richards believes resonates today.