Did you know that across the photography industry, just 1 in 9 award winners are women? And while equality in our own awards is improving, last year only 38% of our winners were female. If we are to make real steps towards equality in the photography industry, we must start at home. It is for neither lack of interest nor talent that the photography industry is so imbalanced. While just 15% of professional photographers are women, 80% of photography graduates are female. We want to know what is happening to these promising graduates, and to re-engage the talent that gets lost along the way by giving underrepresented photographers the tools and platforms to succeed. By valuing everyone and their stories, equally, we can start to make photography more fair and more representative. For that reason, we are introducing a new global award, Female in Focus, which seeks to highlight the exceptional quality of photography by women. Our aim is to open up the world of photography to diverse talent, and to empower women and …
Photo London is back at Somerset House this May for its fifth instalment, with a special exhibition of new and unseen work by this year’s Master of Photography, Stephen Shore, plus Vivian Maier, Roger Fenton, Eamonn Doyle, almost 100 galleries from 21 different countries, and a giant egg sculpture.
Known for his pioneering use of colour photography, Shore’s newest body of work will be shown for the first time in the UK at the fair, as well as a series of 60 small photographs titled Los Angeles, taken through a single day in the city in 1969. “We are honoured to present Stephen Shore as our 2019 Master of Photography,” said Photo London’s founding directors Michael Benson and Fariba Farshad. “As his recent retrospective at MOMA (New York) admirably demonstrated, Stephen is a truly pioneering photographer who has consistently pushed the boundaries of image making throughout a long and successful career.”
“We’ve had five great extinctions,” says Edward Burtynsky. “Now our species is having a similar effect – we are the equivalent of a meteor impact.” He’s currently working on a five-year project on the Anthropocene – the proposed name for our current geological age, an age on which human activity has had a profound and still ultimately unknown impact. A multidisciplinary initiative with long-term collaborators Jennifer Baichwal and Nicholas de Pencie, Anthropocene includes images showing urbanisation, urbanisation, industrialisation and mining, from oil bunkering and sawmills in Nigeria to the salt mines of the Ural Mountains. Now a preview of this project, plus other new work by the renown Canadian artist including an AR experience, is going on show at Photo London 2018, which takes place from 17-20 May at Somerset House. The public programme, which is supported by LUMA Foundation, will also include an exhibition called Exit from Paradise: Japanese & Chinese Contemporary Photography, presented by Korean curator Jiyoon Lee, and a photography-themed installation by set designer Es Devlin. The International Center of Photography (ICP) and Photo London will …
Inspired by personal identity, the natural world, and the fear of dying, the three young artists in this year’s Jerwood/Photoworks Awards exhibition are presenting very different work. Picked out as winners in January 2017, all three have received a year of mentoring on their work from industry specialists such as photographer Mitch Epstein, publisher Michael Mack, and gallerist Maureen Paley. They each also received a bursary of £5000 and access to a production fund of another £5000, to make new work which goes on show in London’s Jerwood Space from 17 January-11 March then tours to Bradford and Belfast.
Fariba Farshad, founding director of Photo London and one of the judges of the International Photography Award 2018, sheds light on what makes for a compelling solo show.
Britain’s biggest photo fair is now an established event – so it’s organisers are pushing the boundaries this year with a headline show by Taryn Simon and more work by cutting-edge artists