Sara Palmieri’s Scenario is the latest instalment of an ongoing photographic experimentation with the nature of the invisible and the mysterious. Her investigations began with M, a work based around family archives depicting her grandmother’s hair. Subsequently Palmieri, who was born in Rome, attended a year-long workshop at the ISSP International Masterclass in Latvia, which was headed by Aaron Schuman, and where she produced La plume plonge a la tête and Scenario.
The projects share a vocabulary of darkness and shadows, with a weighty element of construction: each work produces its own internally functioning visual universe, where everything is significant and no element is left to chance. “I’m interested in the non-visible aspects of reality that I try to represent through a process of time, memories and intuitions, the unconscious and revelations, fragments and recompositions,” Palmieri explains.
In adopting the photobook as his primary medium, using complex sequences as well as free ranging associations to create what’s been described as ‘open metaphors’, Jason Fulford is more interested in questions than answers. He invites readers to become active participants in his work, presenting an open enquiry in which the various interconnecting layers are often cryptic and complex, and the meaning is less important than the experience of looking and thinking.
What does the perfect art college look like? The Ecole cantonale d’art de Lausanne in Switzerland, profiled in our July issue (now on sale at newsagents in the UK and selected countries abroad, or via iTunes for our iPad edition, or directly from The BJP Shop), must come pretty close, with its balance of the vocational, the conceptual and a dash of the downright weird. Not to mention first-class facilities housed in a state-of-the-art building near Lake Geneva, sensibly priced course fees (€800 per term), and a workshop programme made up of visiting lectures by some of the world’s leading photographers, including Thomas Mailaender’s now legendary woodland survival course. If that all sounds a little different to your own art college experience, then how about this for a schedule: “I think something very specific about ECAL is that we are very pragmatic – we start at 8am in the morning and we finish quite late,” says Milo Keller, the photography course leader since 2012. “The students have to work really, really hard – we don’t …