Over 10 days, Paolo Pellegrin and Kosuke Okahara produced a live display of their process from a pop-up studio in Kyoto, Japan
Ho Wing Ka Jimmi’s colourful images of Hong Kong show how residents of one of the world’s most densely populated cities are challenging the use of public space
Japan is thousands of miles away from the Western world where photography was born, but its scene is thriving. Not only do they lead the world in camera and printing technology, but from the radical photographers of PROVOKE, to the cutting-edge work of rising stars, its practitioners are internationally recognised and respected; and its photofestivals are are no different in quality or flare. Set within the ancient city of Kyoto, among countless temples, shrines, and imperial palaces, is Japan’s largest international photofestival, Kyotographie. It returns this spring for the seventh time, catching the last of the cherry blossoms – an important season in Japan, symbolic of renewal and the fleeting nature of life.
Japanese photographers are well-known in the West – if they’re from the 1960s Provoke movement. Contemporary photographers have won much less publicity but, the home of some of the world’s most advanced camera and printing technology, Japan has fostered a wealth of new talent in recent years, including BJP cover star Daisuke Yokota. The city of Kyoto has evolved into a new creative hub in Japan over the last decade, bringing with it events such as the international photography festival Kyotographie, co-directed and co-founded by husband and wife team Yusuke Nakanishi, a lighting director, and photographer Lucille Reyboz. It’s just opened for its fifth edition, which is themed Love and features 16 exhibitions in 16 carefully-selected venues, bridging the gap between Japanese and Western photography networks, and also championing new talent. For those who can’t visit, here are BJP‘s highlights. Toiletpaper at the Asphodel Catapulting you into a world of crimson furry carpets, disco ball lighting and bath soap sofas, Maurizio Cattelan and Pierpaolo Ferrari have transformed the three-storey Asphodel building into an outlandish universe of …