All posts tagged: LCC

Q&A: George Selley’s A Study of Assassination

In 1997, a document titled A Study of Assassination was released by the CIA as part of the Freedom of Information Act. It is believed to have been created in 1953 with the purpose of instructing agents on how to kill, and was released with a collection of files relating to the 1954 CIA-backed overthrow of the-then newly-elected leader of Guatemala, Colonel Jacobo Arbenz Guzman. The operation in Guatemala was lobbied for by United Fruit Company, an American corporation that traded in tropical fruit, mainly bananas, and which wielded huge power in Central America at the time.

When he found out about these documents, George Selley was instantly captivated, and his new project, A Study of Assassination, combines pages from the manual with archival press images, banana advertisements and Cold War propaganda. BJP caught up with the recent London College of Communication MA graduate to find out more about this project and his approach to images.

2018-10-03T13:47:05+00:00

OpenWalls: Christopher Bethell on his complex relationship to home

Christopher Bethell’s work comes from a desire to explore his identity, making his personal reflections universal. His complex relationship to home comes from his dual American and British citizenship. Despite never having visited America, he has always thought of it as a home, and so embarked on his major MA project, The Duke of Earl, last year in the US, as a way to document his understanding of this new but familiar place. What followed was a struggle between cliche and authenticity, as Christopher came to terms with the stereotypes that had informed his perception of this fractured home. Christopher’s interest in photography was first sparked at the age of 19, and he quickly threw himself into the medium, studying at Mid Cheshire College, Staffordshire University, and finally at London College of Communication, where he received a Masters in Photojournalism and Documentary Photography. He cites his most valuable lessons as those about the foundations of photographic theory, and the ethics of representation, which have changed the way he approaches projects and commissions. Since graduating he …

2018-08-08T15:56:10+00:00

Recording a Sea Change in Folkestone

“Folkestone is a hidden gem – inspiring, by the sea, relatively affordable, and only an hour from London,” says Lee Brodhurst-Hooper. “It is easier for me to be a photographer here. I can afford to be an artist here, and I couldn’t in London. There is a thriving creative community, with lots of active, enthusiastic, friendly people who want to push the agenda for the town forward. “But at the same time it is a town struggling with its identity. As one of the 10% of most deprived areas of the country, it has high rates of deprivation and low scope in terms of jobs and careers. There is dilapidation, it is rough around the edges, there are barren spaces and roads you should avoid.” Originally from the Midlands, Brodhurst-Hooper moved to Folkestone two years ago, after a long stint living and working in London. Studying first at the University of East London and then on the prestigious MA Photography at the London College of Communications, he had built up a successful career in trendspotting, picture …

2018-02-23T13:47:31+00:00

Turner Contemporary call for entries for a new show on the seaside

Val Williams is co-curating a show on seaside photography for Turner Contemporary – and is asking photographers to submit their work for consideration. The exhibition will launch in Margate in summer 2019 before going on tour around the UK, and is being curated by Val Williams and Karen Shepherdson – director of the photography and the Archive Research Centre (PARC) at the London College of Communication, and director of the South East Archive of Seaside Photography respectively. They want to produce a collection which explores “how the medium of photography has both shaped and exposed the multiple layers of the seaside resort”, they say.

2017-07-17T15:41:20+00:00

Art, Justice and Terror – or how image-makers can reframe the War on Terror

How can art contribute to our understanding of justice in a time of global conflict? Award-winning photographer Edmund Clark considered the question with former Guantanamo detainee Moazzam Begg and human rights lawyer Cori Crider at the IWM London – home to his ongoing show, War of Terror

2017-06-22T15:41:49+00:00

From the BJP archives – current Prix Levallois nominee Cemre Yesil

Back in February 2015, BJP flagged up Cemre Yesil as a One to Watch – and now her series For Birds’ Sake, made with Maria Sturm, has won a Prix Levallois nomination. We revisit our article on this series and her hands-on approach to photography

2017-06-05T14:55:55+00:00

BJP Staff