In July 2016, Diamond Reynolds’ partner was shot dead by a police officer during a traffic-stop in Minnesota. Reynolds used Facebook Live to broadcast the moments after the shooting, creating a video that became widely circulated, amassing over six million views, and which was also played to a jury as evidence in June 2017 – in a court case which saw the officer acquitted of all charges. In November 2016, Thompson invited Reynolds to collaborate on a project that would portray her in a different way to the original, publicly-consumed image. The resulting 35mm film, autoportrait, shows Reynolds apparently deep in thought and seemingly unaware of the camera, and is presented as a large-scale installation without a soundtrack. First exhibited in London’s Chisenhale Gallery in 2017, it’s been picked out of the winner of the £30,000 Deutsche Börse Photography Foundation Prize 2018, over the three other shortlisted artists – Mathieu Asselin, Rafal Milach, and Batia Suter.
It’s the 21st year of the prize, and this year the shortlisted projects by Mathieu Asselin, Rafal Milach, Batia Suter, and Luke Willis Thompson all “reflect a shared concern with the production and manipulation of knowledge and systems of representation through visual formats”, say the organisers of the Deutsche Börse Photography Foundation Prize 2018. Mathieu Asselin (b. 1973, France) has been nominated for Monsanto: A Photographic Investigation, which was published this year by Actes Sud and exhibited at Les Rencontres d’Arles, and which has already won the First Book of the Year in the Paris Photo-Aperture Foundation Photobook Awards 2017.