Born in Parma, Italy, in 1976, Marco Gualazzini began his career as a photographer in 2004, at the age of 28, for his towns local paper La Gazzetta di Parma. Since then he has covered topics such as microfinance in India, freedom of expression in Myanmar, and the discriminations of Christians in Pakistan, which have published in The New York Times, Al-jazeera, The Sunday Times, among many others.
Over the last few years he has been working extensively in Africa, documenting the desertification of what was once one of Africa’s largest lakes, and a lifeline to 40 million people on the continent. Gualazzini’s work has been double nominated for both World Press Photo of the Year and World Press Story of the Year.
BJP-online saw out 2018 by asking 13 photo-people from around the world to pick out the projects that most interested them over the past year – including The Guardian’s photo critic Sean O’Hagan, the FT Weekend Magazine’s director of photography Emma Bowkett, and BJP editorial director Simon Bainbridge
Gina Amama from A Whitespace Create Agency in Lagos, Nigeria, picks out what caught her eye in 2018 – including Michael Oliver Love’s “mind-blowing” editorial for Africa is Now magazine
The first event of its kind in Nigeria, LagosPhoto Festival is back for its 9th edition this autumn. Themed Time Has Gone, the main show includes work by 22 artists from around the world who engage with the idea of time in various ways, from issues of archiving to nostalgia to an Afro-based future. Artists featured in the main programme include: Ola Olatunde, who’s from Nigeria; Mary Evans (Nigeria/UK); Alfredo Jaar (Chile); and Emmanuelle Andrianjafy (Madagascar); LagosPhoto has been curated by Eva Barois De Caevel, Wunika Mukan, Charlotte Langhorst, and Valentine Umansky.
In addition other spaces across Lagos will host 41 other exhibitions during LagosPhoto Festival – with the respected Market Photo Workshop, for example, hosting an exhibition of work by emerging image-makers Dahlia Maubane, Sydelle Willow Smith and Tshepiso Mazibuko. The main festival is based in The Federal Printing Press Building on Lagos Island, Lago, and in outdoor exhibitions in spaces such as Ikorodu Park and Freedom Park, while the satellite exhibitions and events will take place in institutions such as the African Artists’ Foundation, Omenka Gallery, and Gallery 16/16.
Nadia Shira Cohen has won the $10,000 Women Photograph + Getty Images grant for her work on the abortion ban in El Salvador – and the five grants of $5000 awarded by Women Photograph with Nikon have gone to Tasneem Alsultan, Anna Boyiazis, Jess T. Dugan, Ana Maria Arevalo Gosen, and Etinosa Yvonne Osayimwen.
Nadia Shira Cohen’s series Yo No Di a Luz documents the effect that the complete ban on abortion in El Salvador has had on women – particularly on those forced to give birth to children conceived as a result of rape. “Doctors and nurses are trained to spy on women’s uteruses in public hospitals, reporting any suspicious alteration to the authorities and provoking criminal charges which can lead to between six months to seven years in prison,” writes Shira Cohen. “It is the poorer class of women who suffer the most as doctors in private hospitals are not required to report.
“Contrast, characters, dark humour, forms, shapes, awkward gestures and actions interest me,” says Noma Osula. In his portraits, the Nigerian photographer punctures the staid conventions of portraiture with playful gestures. A man, hands folded formally on his lap, blows a chewing-gum bubble; a woman, resplendent in a jade-green dress and doused in a painterly light, sucks on a red lollipop. At just 25, Osula’s sharp eye for colour and atmosphere already makes for a distinctly offbeat aesthetic. Using his vision to counter mainstream narratives has been an important drive for Osula, and a crucial part of his development as an artist. “First, it was changing the narrative of the so-called ‘Africa stigma’, then embracing imperfection, just like the Japanese idea of wabi-sabi,” he explains. “This projection of Africa as a completely dark and primitive continent, as well as what we represent, is obviously incomplete and inaccurate.”
The November issue of BJP takes you on a round the world trip with Journeys. From the markets of Lagos to the search for Jesus across the world, these are more than just trips; these journeys will alter your way of looking at the world.
In January 2014, Nigeria’s president, Goodluck Jonathan, signed a new law that allows his courts to punish same-sex “amorous relationships”, along with a raft of other anti-gay legislation that carries penalties of up to 14 years imprisonment. Gay organisations – from advocacy groups to nightclubs – are now banned, and “aiding and abetting” a gay man or woman can carry the same punishment. Landlords, family, neighbours, fiends and employers of gay people are now seen as criminals in the eyes of Nigerian law. And in those areas to the north of the country that have adopted some form of Shari’a law, corporate punishments have included whippings, and could extend to execution. He may not be as outspoken as Simon Lokodo, ‘ethics and integrity’ minister of Uganda, who recently responded “why would I eat my own feaces?” when asked whether he would every consider kissing another man, but Goodluck is clearly a homophobe. However, these remorseless measures were not likely passed out of a sense of conviction, rather it’s because they’re popular. Because Nigeria is not …
With clients such as the New York Times, Time, the International Herald Tribune and Washington Post Magazine, Jane Hahn knows what makes a good story, and what makes a striking single image. Her winning single image in the BJP’s 2014 International Photography Award shows her talent for both – depicting a woman returning home after bathing in the Badia East informal community, it’s taken from her on-going work in Lagos. “This image is part of a personal long term project I began earlier this year, photographing those who have been affected by the forced evictions that have been taking place in Nigeria, especially in Lagos, all in preparation for its mega city status,” Hahn told BJP. “Unfortunately I don’t have more information on the woman as she was just passing by when I was speaking to those on the edges of the photo. She wasn’t willing to speak as she was in a hurry, so I took this shot as she was walking away.”[bjp_ad_slot] Hahn took the shot in February, one year after Badia East’s residents woke …