All posts tagged: Photojournalism

Don McCullin talks war and peace

An interview with Don McCullin is never going to be a dull affair – he is a complex man who has told the story of his life many times before. He is unfailingly polite and gentlemanly, but one detects a slightly weary tone as he goes over the familiar ground. He often pre-empts the questions with clinical self-awareness.

The story of McCullin’s rise from the impoverished backstreets of Finsbury Park in north London is one of fortuitous good luck, but it didn’t start out that way. Born in 1935, he was just 14 when his father died, after which he was brought up by his dominant, and sometimes violent, mother. During National Service with Britain’s Royal Air Force, he was posted to Suez, Kenya, Aden and Cyprus, gaining experience as a darkroom assistant. He bought a Rolleicord camera for £30 in Kenya, but pawned it when he returned home to England, and started to become a bit of a tearaway.

Redemption came when his mother redeemed the camera, and MccCullin started to take photographs of a local gang, The Guvners. One of the hoodlums killed a policeman, and McCullin was persuaded to show a group portrait of the gang to  The Observer. It published the photo, and kick-started a burgeoning career as a photographer for the  newspaper.

2018-12-11T10:09:37+00:00

Introducing Aiyush Pachnanda, EyeEm Photographer of the Year: “I want to portray people as they really are”

Aiyush Pachnanda may have yet to finish his Photojournalism degree, but he’s already taking the photography world by storm. EyeEm, a global photography marketplace and community, recently announced him as their Photographer of the Year, the most prestigious title in the EyeEm Photography Awards. As well as receiving a trip to Berlin Photo Week and a Sony Alpha camera, Pachnanda will act as the EyeEm ambassador during 2019. So what is it that sets Pachnanda apart from the 100,000 other photographers who entered? His winning image, a low angle portrait of a heavily tattooed man with a grey tower block looming behind him, says it all. Flick through Pachnanda’s work and you’ll notice two recurring themes: urban landscapes, and striking people. Splitting his time between London, where he grew up, and Cardiff, where he studies, Pachnanda has an enduring interest both in the city, and in the subcultures that people form there. In his unaffected way (he’s pursuing a rough-and-ready style of photojournalism, often using an old point-and-shoot), he captures the raucous underbelly of urban …

2018-11-02T11:37:53+00:00

EyeEm Photographer of the Year announced

The winners were announced during Berlin Photo Week in Germany (10 – 14 October) where all 100 finalists were exhibited in Supermarkt, a repurposed supermarket and exhibition space. Pachnanda received a trip to Berlin for the event, as well as a Sony Alpha camera. As part of the award, Pachnanda will act as the EyeEm ambassador during 2019. Much of his work centres on bold portraits of unusual people, often in urban areas of London. On receiving the Photographer of the Year title, Pachnanda said, “winning an award with so much calibre from an organisation so pivotal to the world of 21st century photography is amazing”. The EyeEm Awards, run by global community and marketplace for photography EyeEm, currently stands as the world’s largest photography competition. This year marked its fifth edition, and it welcomed a record 700,000 entries from 100,000 photographers, hailing from more than 150 countries across the globe. Covering nine diverse categories – ranging from ‘The Creative’ to ‘The Great Outdoors’ – the award attracts a huge breadth of subject matter. This …

2018-10-31T14:36:52+00:00

Portrait of Humanity: Punk, Love and Kindness

Food Not Bombs is a 30-year-old global movement. Initially based in Massachusetts, US, the grassroots organisation has now spread worldwide, working to unite and care for people by feeding them, and maintaining an ethos of anti-poverty and non-violence. In recent years, the Yangon, Myanmar sector of the Food Not Bombs movement has become well-known. Mohawked, black-clad and silver-studded, the group spends their time recording and performing punk music, and caring for Yangon’s homeless community. Recently, they have also developed plans to set up a school for children living in the city’s slums. Nico Djavanshir’s series Punk, Love and Kindness follows Yangon’s punks through their daily lives, in the hopes that his work can shed light on their own. The series combines our shared values of individuality, community and unity, and embodies the aims of Portrait of Humanity; we see the subjects with their families, singing into microphones, teaching groups of smiling children, and sometimes campaigning for the Food Not Bombs movement. “I wanted to take positive images,” says Djavanshir. “We’re used to seeing tragic work …

2018-10-11T17:23:01+00:00

Portrait of Humanity: ‘Keeping “the other” away is a disaster for our planet’

As we welcome people to submit photographs to Portrait of Humanity, an initiative celebrating our shared values of individuality, community and unity, we also highlight the work of photographers who have done just that. And perhaps no one has embodied this ethos more so than Jimmy Nelson, who has spent the last 30 years photographing indigenous cultures around the world, in the hopes that we might be able to learn from them. Jimmy Nelson’s latest project, Homage to Humanity, has just been released. This time, his work has been produced not only in the form of a book, but also digitally, with an app that has the capacity to scan over every photograph in the book, and to bring them to life with interviews and films. This allows people to see the making of the work, and to understand the process behind it. This new way of bringing people into the closed worlds of these indigenous tribes combines their traditions with our technology. As we increasingly spend more time than ever on our smartphones, Nelson …

2018-10-03T15:20:14+00:00

Eugene Richards: The Run-on of Time

“You’re always looking for that time where everybody forgets you’re there and becomes themselves. Surprisingly, they do, sometimes to the detriment of what you knew about them,” says Eugene Richards, who has devoted his career to documenting social injustice in America, and injecting himself into intensely personal situations.

Richards’ style is up-close and unflinching, “ironically it’s the process of becoming as not there as you possibly can, if you hang around long enough people don’t care”, he says. Though his photography has been described as poetic and lyrical, he has never thought of himself as an artist. “I went in with some knowledge of photography, but mostly with the idea of providing information,” he says.

2018-10-29T10:13:48+00:00

BJP Staff