All posts tagged: Photoville

Female in Focus: Buttons For Eyes

Priya Kambli physically manipulates old family photographs and then rephotographs the altered artefacts. In her Female in Focus winning series, she employs a variety of materials, particularly those that are grounded in everyday use. Flour, turmeric, and strips of wallpaper embellish old pictures of her childhood in India. “I re-contextualise these familial associations for my own artistic and creative purposes,” explains Kambli, “But also as a way of embellishing my past and connecting it to the present.”  The photographer is interested in using her own experience of emigration to contribute to the broader cultural debate on migrant narratives. “As significant political forces try to suppress the concerns of those who are perceived as different, the need to present a variety of perspectives is simply more urgent,” says Kambli. “Sharing our stories has a civic and social impact.” While Kambli’s need to decipher and address her family photographs is personal, the work always touches on universal themes, with the potential to start a dialogue about cultural differences and global similarities.  Kambli describes the process of creating …


Female in Focus: Cosmic Drive

“Cosmic Drive primarily explores the way humans handle ignorance,” says Katinka Schuett of her Female in Focus winning series, which examines the contradictory spheres of fantasy and hard science. “I am interested in our perceptions of space, and the question of whether or not life can be found in the universe.” Schuett is as concerned with fantasy as she is with facts, merging the two to consider the illusions we create when there is a void of information.  The photographer’s interest in outer space was initially people-driven – she began Cosmic Drive by photographing people who catalogued possible UFO sightings and extraterrestrial phenomena in Germany. “I’m fascinated by humans’ preoccupation with things that are not visible or tangible,” explains Schuett.  Many of her photographs play on clichéd tropes of space travel. In one image, an alien lies on a hospital bed as if undergoing a medical examination, its face an exact replica of aliens in Hollywood films and science fiction books, and in another, an index finger is bright red and lit up, like the …


Female in Focus: Meet the winning photographers

This year, British Journal of Photography launched its inaugural Female in Focus award, with an open call inviting female-identifying photographers to submit their work to be part of an exhibition at United Photo Industries Gallery, during Photoville in New York. The aim of the exhibition was to bridge photography’s gender imbalance and to elevate the work and careers of women. The two winning series and 20 winning single images have now been chosen, and the first Female in Focus exhibition will open at United Photo Industries Gallery on 22 October 2019, and run until 15 November 2019. One of the defining features of the exhibition is that there is no strict theme. Each image has been shot through the female gaze, a perspective that rarely frames the images we see. However, beyond that, the photographs vary hugely in style and subject matter, resulting in a diverse exhibition.  Among the winning single images is Nancy Newberry’s photograph, The Sentinels, which has been taken from her series Smoke Bombs and Border Crossings, a contemporary Spaghetti Western staged …


Her Take: (Re)thinking Masculinity

Last year, VII Photo Agency invited six women to join its collective. With seven female members in total, “the seven of VII” quickly became a phrase that stuck. After numerous email exchanges, and a big discussion at the annual general meeting in Barcelona in March, the seven of VII are now staging a group exhibition together – Her Take: (Re)thinking Masculinity, which opens at Photoville in Brooklyn, New York on 13 September.

The exhibition is made up of seven separate projects, each exploring the topic of masculinity. “The exhibition is a conversation, and it’s a conversation that we want to have with both women and men,” explains Sara Terry, whose project recreates Manet’s famous painting, Le Déjeuner sur l’herbe, with a naked man replacing the female nude.


BJP Staff