Nigeria has the highest twin birth rate of any country in the world. Because of this, the notion of twinhood almost pervades consciousness. Attitudes towards twins, however, are complex and multifaceted – in some areas of the country they are celebrated, in others feared. Photographers Benedicte Kurzen and Sanne de Wilde set out to explore perceptions of twinhood in three parts of Nigeria: Igbo Ora, Abuja, and Calabar, with each area demonstrating different attitudes towards twins. In Igbo-Ora, the self-proclaimed ‘twin capital of the world’, twins are celebrated and shrines are built to worship them and their inseparable bonds. Abuja represents the darker history of twinhood – here, Kurzen and de Wilde visited an orphanage sheltering twins who are threatened by the community for their perceived role in bringing bad luck. Calabar presented the opportunity to explore how traditions and beliefs towards twins have changed over time. The resulting series, Land of Ibeji, is now on show at TJ Boulting gallery in London, and is one of the many exhibitions taking place across the capital …
“The ethics for me is the backbone of what we do. If we don’t follow strict ethics within our work, I think we are damaging the credibility of the whole of this profession,” says Bénédicte Kurzen, a photographer and member of the prestigious NOOR photography collective since 2012. Now she, and seven other NOOR photographers are putting her words into action, with three masterclasses offered free of charge to budding photojournalists.
Supported by Nikon Europe, the masterclasses are four days long, and each feature three tutors. Kurzen is teaming up with Sanne De Wilde and Francesco Zizola for the masterclass in Turin, held from 12-15 November; Tanya Habjouqa, Sebastian Liste and Kadir van Lohuizen are at the masterclass held in Budapest from 26-29 November; and Tanya Habjouqa, Jon Lowenstein and Léonard Pongo are at the masterclass held in Zürich from 03-06 December.
“We do see that our industry is male-dominated, world-wide – though not within NOOR,” say the photographers of the NOOR agency, via their current president Andrea Bruce. “We are encouraged by the current discussions happening throughout the photo world around abuse of power. These are sometimes painful, but necessary.” Photojournalism is still male-dominated, that much is undeniable. But does it have a macho culture, as World Press Photo’s MD Lars Boering has said? Do male photojournalists and picture editors abuse their power? And if so, what’s being done about it? In the wake of the #metoo movement, and in particular after the recent allegations against Patrick Witty, one-time deputy director of photography at National Geographic, and Antonin Kratochvil, one of the founding members of VII, these have become key questions in photography, and the big agencies are getting on board. For David Kogan, as for Bruce, it’s a work in progress. He’s executive director of Magnum Photos, which introduced a Code of Conduct for both its photographers and staff at its last AGM in June. …
Every year, Cortona On The Move has a focus, and this time it reflects the festival’s mission more directly than before by placing the spotlight on female photographers. “My selection is never a list of ‘favourites’, but rather involves an attempt to listen to what is happening around me, globally, both on a political, social and economic level, as well as in the field of photography itself,” says Rinaldo.
“These past months, women and women’s issues have been at the forefront of discussion in various fields, often in the news and even more on the street – protesting, resisting, demanding. My small contribution to this ‘movement’ is to acknowledge the numerous women photographers who tread the world to tell stories; to give them space and make them protagonists.”
Established back in 2008, the Fotobookfestival Kassel was the first festival devoted to the photobook and, over the last 10 years, has made a name as one of the most interesting on the calendar. Its 10th anniversary edition looks set to bear out this reputation from 31 May-03 June, with talks by celebrated photographers and photobook-makers such as Anders Petersen, Susan Meiselas, Carlos Spottorno, Mathieu Asselin, Gerhard Steidl, JH Engström, and many more, and exhibitions by Dana Lixenberg, Daniel Gustav Cramer, and the designer Sybren Kuiper (SYB). The exhibitions programme also includes two shows devoted to Kassel’s well-regarded prizes – the Dummy Award and the Photobook Award. In total 30 books have been selected for the Photobook Award by a prestigious panel including, Laia Abril On Abortion; Mathieu Asselin Monsanto – A Photographic Investigation; Ludovic Balland American Readers at Home; Tim Carpenter Local Objects; Sanne de Wilde The Island of the Colorblind; Carolyn Drake Internat; Li Feng White Night; Stephen Gill Night Procession; Anne Golaz Corbeau; David Goldblatt Structures of Dominion and Democracy; Daniela Keiser Kairo; Stephan Keppel Flat Finish; Paul Kranzler and Andrew Phelps The Drake Equation; Sandrine Lopez Moshé; Alix Marie Bleu; Raymond Meeks, Adrianna Ault and Tim Carpenter dumbsaint 01: township & bremen …
It’s one of the best-respected photo agencies in the world, representing image-makers such as Nina Berman, Yuri Kozyrev, and Kadir van Lohuizen – and yet NOOR is offering three four-day masterclasses completely free of charge to “young, aspiring photojournalists and documentary photographers”. Run by NOOR and the NOOR Foundation with the support of Nikon Europe, the masterclasses will take place in Warsaw (26 February-01 March), Stockholm (12-15 March), and Brussels (19-22 March).
As we move into 2018, BJP review the themes explored in our 2017 editions and ask what you would like us to cover this year
The founder and director of the African Artists’ Foundation and curator of this year’s Lagos Photo picks out his top books, exhibitions and Instagram feeds of 2017
The founder of Firecracker and Global Business Development Manager of Magnum Photos picks out her top five of 2017 – including Megan Doherty’s Instagram feed
The British Journal of Photography’s editorial director picks out his top five of 2017 – including Sam Contis’ Deep Springs