Back in 2008, Facebook was just four years old, Twitter was just two years old, and the iphone had just been released. Instagram had not yet been invented. A decade is a long time in internet years, and yet one online photography magazine launched into this unpromising landscape has survived and thrived – 1000 Words. Set up and still run by editor-in-chief, Tim Clark, it includes long-form essays, interviews, and reviews, and has included contributors such as David Campany, Susan Bright, Gerry Badger, Charlotte Cotton, Wolfgang Tillmans, Adam Broomberg and Oliver Chanarin, Vanessa Winship and Lieko Shiga. Now, to celebrate its 10th anniversary, Clark is publishing a special print edition, 1000 Words 10 Years, designed by respected photography and art specialist Sarah Boris and featuring newly-commissioned content. The annual will be 200 pages long, and will feature 10 portfolios from influential artists such as Jose Pedro Cortes, Laia Abril, Edmund Clark, and Esther Teichmann, as well as a series of photo-centric city guides, profiles on curators and collectors, opinion pieces on the art of photobook publishing, and reflections on a decade’s changes in photography. It will also include a selection of memorable and talked-about articles from the 1000 Words back catalogue.
Illuminating India: Photography 1857-2017, is the first exhibition to document the history of photography in India, and includes both archive and contemporary work. It includes images by India’s first known photographer Ahmad Ali Khan, pioneering art photographer Marahaja Ram Singh II, the country’s first female photojournalist, Homai Vyarawalla; and award-winning contemporary photographers such Magnum’s Sohrab Hura. It also includes images of India taken by non-Indians, including Henri Cartier-Bresson, Werner Bischof, Margaret Bourke White, Lucien Hervé, Mitch Epstein, Vasantha Yogananthan, and Olivia Arthur.
Think of Oxford and it’s the world-famous university that will probably spring to mind first; the ancient city is not necessarily one you would immediately associate with photography. But that may be about to change with the debut of a new fortnight-long “celebration of photography” from 08-24 September, curated by Tim Clark and Greg Hobson. With a focus on the medium’s “potential to conceal and reveal”, the programme is small but convincing, with work carefully matched to specific venues in the city centre. For example, Oxford’s old fire station, now a thriving public arts space, will host an exhibition of photographs devoted to Russian prison tattoos.