All posts tagged: science

Berenice Abbott: Portraits of Modernity, on show in Barcelona

“To me photography is a means, perhaps the best means of our age – of widening knowledge of our world. Photography is a method of education, for acquainting people of all ages and conditions with the truth about life today,” wrote photographer Berenice Abbott, in an unpublished text from 1946, Statement in Regard to Photography Today. Berenice Abbott: Portraits of Modernity will run at the Fundación MAPFRE in Barcelona till 19 May 2019. Following its showing in Barcelona, the exhibition will go on display at the Fundación MAPFRE’s Sala Recoletos in Madrid from 01 June till 23 August.


Trial and Error: Daniel Stier shoots the art of the experiment

In one of the essays for Daniel Stier’s book, Ways of Knowing, Pedro Ferreira, professor of astrophysics at Oxford University, describes the scientific process in a surprising way. “I found experimental work to be a different way of doing, unlike art or theory, yet, in some ways, much more organic, irrational and intuitive.” We are accustomed to making firm, simplistic divisions between the creative freewheeling art world and the disciplined, empirical structures of science. And yet here is an Oxford don extolling virtues not commonly associated with the science of our imagination – organic, irrational, intuitive. It’s precisely this apparent contradiction that attracted Stier, whose book consists of two projects exploring his fascination with the experiment as an art form. “I FOUND EXPERIMENTAL WORK TO BE A DIFFERENT WAY OF DOING, UNLIKE ART OR THEORY, YET, IN SOME WAYS, MUCH MORE ORGANIC, IRRATIONAL AND INTUITIVE.”   Eight years ago the London-based photographer happened across an image of an experiment involving a human subject and became fascinated by the interplay between the strange environment and the unknown research project. …


How photography is just like photosynthesis

The photography of Alice Cazenave, as much a scientist as an artist, is intriguing, her methods of construction ambiguous. In her work Breathe a ghostly portrait emerges from the fragile architecture of a geranium leaf. It’s one of the first images created through a new photographic process Cazenave calls Pelargonium printing. Although pushing photography in exciting new directions, Cazenave’s new process engages with some of the medium’s longstanding concerns: light, time and memory. The concept of a photograph as an “exact trace of light, shadow, time and space” is paramount to the artist. She cites Susan Sontag’s On Photography, regarding the process of looking at a photograph: “‘The photograph of the missing being will touch me like the delayed rays of a star’ – I think it’s a beautiful way to explain photography,” she says. Having recently lost someone close to her, the artist places great value on: “The notion that light can freeze time for the keeping, as a physical keepsake.” Cazenave’s interest in photography was piqued at an early age when a school teacher introduced her …


BJP Staff