After the economic crisis in Argentina in 2002, Sebastián Bruno’s family moved to a small town in Castilla La Mancha in central Spain. It was then that the photographer decided to re-read Don Quixote, the iconic 17th-century novel about a traveller who slowly converts from hero to bandit. The tale was foremost in Bruno’s mind when he returned to the region years later to retrace the 2500km route of the fictional legend, while studying for a BA in Documentary Photography at the University of South Wales in Newport.
“I thought it was a beautiful metaphor to re-interpret,” he says. “I was walking, cycling and hitchhiking, but no one ever really stopped. The landscape was very flat, the sun was hot and there was not a single tree to hide under.”
“It’s amazing how such a seemingly simple, common and universal concept as ‘home’ actually becomes incredibly complicated and difficult to pin down, once you really start to consider it on a personal level,” says Aaron Schuman, curator of this year’s JaipurPhoto festival in India, which is themed Homeward Bound. After discussing with the festival’s artistic director, Lola MacDougall, he discovered that JaipurPhoto was originally established as an “open-air travel photography festival”, a label he was initially wary of. For him, the term travel photography “generally alludes to a type of imagery that’s often rather simplistic, generic, stereotypical or predictable”, he says – but he liked 2017 edition of the festival, which was guest-curated by Federica Chiocchetti and themed Wanderlust.
For over four decades, the documentary photography course has forged a reputation as one of the UK’s leading photography teaching destinations. In fact, the very first photography class can be dated back even further to 1912, when it was introduced by the head of the school of art at Newport Technical Institute. The course, however, was set up in 1973 by Magnum photographer David Hurn as a 12-month Training Opportunities Scheme to ‘re-skill’ miners and steelworkers.