“A festival is about taking risks,” says Louise Clements, founder and director of Format International Photography Festival, which returns this year to celebrate its ninth edition. “Festivals can come and go, but to sustain something for so many years, you have to work out how to make it valuable for its participants and its audience, by giving people something to work towards.”
The city of Derby, in the UK’s post-industrial Midlands, is not large, but over the last 15 years the biennial event has helped place it on the cultural map. Over the course of each festival some 100,000 visitors will gather there – the city’s compact size lending it some advantages. “Derby is small, like Arles [whose 50-year-old Rencontres photography festival remains the blueprint], so there is this critical mass-like feeling,” says Clements. “People are likely to bump into each other, see our bags and totes – the guides see and integrate them, for example, when we work with the local microbreweries.”
BJP-online saw out 2018 by asking 13 photo-people from around the world to pick out the projects that most interested them over the past year – including The Guardian’s photo critic Sean O’Hagan, the FT Weekend Magazine’s director of photography Emma Bowkett, and BJP editorial director Simon Bainbridge
Simon Bainbridge, editorial director of the British Journal of Photography, picks out the projects that most caught his eye in 2018 – including The Anarchist Citizenship, a collaboration between Nadine Stijns, Amal Alhaag and Mustafa Saeed
This year marks the third annual Portrait of Britain exhibition. As much a showcase of photography as it is a celebration of our nation, Portrait of Britain is the largest contemporary portrait exhibition ever held. And for the first time since the exhibition’s inception, British Journal of Photography has produced a book in collaboration with Hoxton Mini Press, containing the 200 shortlisted entries, from which the 100 winners have been chosen. Among the winning photographs is Kovi Konowiecki’s portrait of East London twins, Dick and Clark – Kovi’s second winning Portrait of Britain image in the competition’s three-year history. In 2016, Kovi’s portrait of Shmuley, a young Orthodox Jewish boy, was also selected. “It is always cool to be a part of an exhibition with such a wide-reaching audience,” says Kovi. “Having been selected for Portrait of Britain a couple of years ago, it was amazing seeing my photograph across numerous screens and tube stations on my daily commute. It feels great to be a part of the exhibition again.” Joining Kovi in the exhibition is John Davis, …
“These images, in all their diversity, reflect something of the richness of this nation and remind us of what there is to be celebrated,” says Martin Usborne, Portrait of Britain judge and Co-Founder of Hoxton Mini Press, the publisher of the first ever Portrait of Britain book. “We hope the book is a powerful snapshot of a moment in our shared history that stands the test of time.” Over the past three years, British Journal of Photography’s Portrait of Britain award has gone from strength to strength. Originally conceived in 2016 in response to Brexit, the nationwide exhibition has flourished into a celebration of the many faces of modern Britain, reflecting the unique diversity of our country and its contemporary photographic talent. This year, the Portrait of Britain competition saw a staggering number of entries. The 13,000 submissions were judged by an elite panel of photographic experts, made up of Simon Bainbridge, Editor in Chief of British Journal of Photography; Caroline Hunter, Picture Editor at Guardian Weekend Magazine; Olivia Arthur, Magnum Photographer; and Martin Usborne, …
Yassine Alaoui Ismaili (Morocco), Paul Botes (South Africa), Anna Boyiazis (USA), Tommaso Fiscaletti & Nic Grobler (South Africa), and Phumzile Khanyile (South Africa) are the five winners of the seventh CAP Prize. Open to photographers of any age or background, the CAP Prize is awarded to work that engages with the African continent or its diaspora.
Born in 1984 in Khouribga, Morocco, Yassine Alaoui Ismaili – aka Yoriyas – lives in Casablanca and has been awarded his prize for the series Casablanca Not the Movie (2014–2018). “It is both a love letter to the city I call home and an effort to nuance the visual record for those whose exposure to Morocco’s famous city is limited to guide book snapshots, film depictions or Orientalist fantasies,” he says.
Alighting at Peckham Rye train station in south London, a short walk across a busy market street takes you to the Bussey Building complex, a former cricket-bat factory that is now home to an assortment of bars, music venues, yoga studios and art spaces, including the Copeland Gallery. This bright exhibition space is once again the main site of Peckham 24 festival of contemporary photography, celebrating its third edition this year and running over the weekend of 18 to 20 May to coincide with Photo London – more than the 24 hours with which it launched and gave it its name. “Last year we were literally pushing people out of the door at midnight,” laugh the co-founders, Vivienne Gamble, whose Seen Fifteen gallery is in a nearby space, and artist Jo Dennis.
In a first for BJP we have partnered with the Hamburg Triennial of Photography this issue, catching up with the festival’s artistic director Krzysztof Candrowicz and examining the festival’s theme Breaking Point: Searching for Change. “For Krzysztof, photography provides a pertinent tool for examining these big subjects,” writes BJP’s editor Simon Bainbridge, “not just as a visual document of environmental emergency or hi-tech Armageddon, but as a tangible, thought-provoking exploration of transition.” From the 320 artists included in the festival’s open submissions, we bring you our favourites – including Salvatore Vitale and his project on Switzerland’s obsession with security, which scrutinises the ways in which it shapes not only the environment, but also the Swiss mentality. Sarker Protick draws our focus towards Bangladesh’s Padma River, offering a stark warning of rising water levels, while Gábor Arion Kudász’s Human is a study of mankind via the metaphor of a humble brick. We highlight more of the thought-provoking work on show in Hamburg in our Projects section, including Carlo Lombardi’s series on an endangered loggerhead sea turtle. Gretje Treiber’s …
Founded in 2012 by Swiss artist Benjamin Füglister, the Contemporary African Photography Prize aims “to raise the profile of African photography and encourage a rethinking of the image of Africa”. Open to photographers from anywhere in the world whose work engages with the African continent or its diaspora, it picks out five winners every year and shows their work at major photography festivals around the world. This year 800 photographers entered, of whom 25 have made it to the shortlist.
The British Journal of Photography’s editorial director picks out his top five of 2017 – including Sam Contis’ Deep Springs