“When I became a parent, I had the idea to make a photographic book for children,” says Russian photographer Andrey Ivanov, who has won the Photobookfest Dummy prize. “I started to photograph subjects and images of Russian fairy tales. At first it was a series of purely staged photos, but then I began to notice that some of the documentary photos I found fitted perfectly into this fabulous series.
“The fairy tale is the most authentic source of Russian archetypes. As the saying goes: ‘A fairy tale is a lie – yet there is a hint in it, a good lesson to good fellows’. The viewer follows the photographic tracks of the main hero of the fairy tale, referring to the cultural codes of the collective unconscious, and guesses or recognises the fairy-tale images, or hints of them.”
It’s little more than a decade since Ricardo Cases took his first tentative steps into the world with his personal work, exhibiting as part of New Spanish Photography at Lodz Fotofestiwal in 2007, a group show that travelled on to China and Slovakia. More than a dozen solo shows followed across Spain over the next three years before his international breakthrough with the book Paloma al aire [Pigeons in flight], published by Dewi Lewis in 2011. Ostensibly, the book follows pigeon-fanciers in Valencia and Murcia going about a local racing ritual, painting male birds for a competition in which the winner is the cock that attracts the hen. But with its distinctive spiral-bound, notebook appearance, and Cases’ tight framing, emphasising the surreality of the chase, it acquired a cult following, marking the arrival of a singular talent. The unconventional traits to this and his subsequent works are clearly evident in his first major survey exhibition, on show in Madrid from 13 June to 22 July at the spectacular Sala Canal Isabel II, as part of this year’s Photo España.
Blank Paper: Histoires du présent immédiat [Stories of the Immediate Present], which features recent work by Julián Barón, Ricardo Cases, Federico Clavarino, David Hornillos, Alejandro Marote, Óscar Monzón, Bernardita Morello, Miren Pastor, Michele Tagliaferri, Fosi Vegue and Antonio M. Xoubanova, opened this week at the offbeat Ground Control space in Arles. Images from the six-member collective are intertwined with those from teachers and alumni from the eponymous school