Our pick of the key stories this week includes a preview of photography festivals in Japan and France, news on the National Portrait Gallery’s refusal to accept a £1m Sackler Trust donation, and interviews with photographers Aaron Schuman and Tomas Bachot
Japan is thousands of miles away from the Western world where photography was born, but its scene is thriving. Not only do they lead the world in camera and printing technology, but from the radical photographers of PROVOKE, to the cutting-edge work of rising stars, its practitioners are internationally recognised and respected; and its photofestivals are are no different in quality or flare. Set within the ancient city of Kyoto, among countless temples, shrines, and imperial palaces, is Japan’s largest international photofestival, Kyotographie. It returns this spring for the seventh time, catching the last of the cherry blossoms – an important season in Japan, symbolic of renewal and the fleeting nature of life.
Seven European festivals make the best of their locations and the late-summer timing to show off al fresco programmes this September – Visa Pour l’Image, Getxophoto, BredaPhoto, Festival Images Vevey, Landskrona Foto Festival, Guernsey Photo Festival, and Brighton Photo Biennial
“Eastern and Central Europe has a lot of treasure in its photographic histories,” says Kate Bush, speaking about the exhibition she has curated for Calvert 22, Family Values: Polish Photography Now. It’s the first exhibition in the UK to focus exclusively on Polish photography and, says Bush, “hopefully, it will all be part of feeding a greater understanding and interest”. Family Values is part of Calvert 22’s mission to show the cultural and societal change in eastern Europe, the Balkans, Russia and Central Asia through photography, and Bush – who is adjunct curator of photography at Tate Britain – was commissioned by the gallery for the project shortly after the EU referendum. She sees the exhibition as an opportunity to celebrate London’s Polish community, the largest outside of Poland, as well as commemorating the centenary of Poland’s independence.
Foam Talent returns to London, with an exhibition of forward-thinking photographers under the age of 35 including Alinka Echeverria (UK/Mexico), Weronika Gęsicka (Poland), Namsa Leuba (Switzerland/Guinea), Erik Madigan Heck (USA), Viacheslav Poliakov (Ukraine), Harit Srikhao (Thailand), and Vasantha Yogananthan (France). This year 1790 artists responded to Foam Fotografiemuseum Amsterdam’s annual talent call, and the 20 selected photographers were picked out for their experimental approaches to the medium. The new generation of artists explore a variety of subjects, says Foam, including several photographers openly denouncing the totalitarian regimes of their countries.
The Warsaw-based photographer picks the top five projects from Eastern Europe in 2017 – including Alexander Chekmenev’s Passport